<div class="gmail_quote">2012/4/15 Daniel Salazar - 3Developer.com <span dir="ltr"><<a href="mailto:zanqdo@gmail.com">zanqdo@gmail.com</a>></span><br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
Count with me for testing, I have suffered the pains of really complex and crappy footage involving uneven lighting, 4:2:2 cameras, blue and green screens overlapping, strong highlights, DoF, even green screen in the middle of a freaking forest.. I got footage here to test all that nastiness, only thing is I can't share it :s</blockquote>
</div><br>I can bear witness of that keying nightmare :) but I have to agree with Troy when he says that most mattes involve working with regions and sometimes even roto.<br>Improvements to our keying tools are welcome, but personally I don't think our current tools are necessarily lacking.<br>
I'd rather say that masking is what can make a real difference in the keying procedure, allowing more control to create combined mattes from isolated regions.<br>