<font><font face="trebuchet ms,sans-serif">about mxf, I have been shooting with Canon C300 last week, and it does use it as well. </font></font><div><font><font face="trebuchet ms,sans-serif">This format (container) aim to become more and more popular as I understand it and shouldn't have to go through format exchange since this one is. </font></font></div>
<div><font><font face="trebuchet ms,sans-serif">I don't know about the Sony camera, but Canon provides LUT for some embeded profile in the C300 which makes some work easier when you have some CMS handling that :) </font></font></div>
<div><font><font face="trebuchet ms,sans-serif"><br></font></font></div><div><font><font face="trebuchet ms,sans-serif"><br></font></font></div><div><font><font face="trebuchet ms,sans-serif">cheers, </font></font></div>
<div>
<font><font face="trebuchet ms,sans-serif"><br></font></font></div><div><font><font face="trebuchet ms,sans-serif">F. <br></font></font><br><div class="gmail_quote">2012/4/5 Andrew Hunter <span dir="ltr"><<a href="mailto:andrew@aehunter.net">andrew@aehunter.net</a>></span><br>
<blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">Hey Everyone,<br>
<br>
Some further notes:<br>
<br>
The F65 viewer documentation is available here [1].<br>
<br>
On Thu, Apr 5, 2012 at 10:51 AM, Andrew Hunter <<a href="mailto:andrew@aehunter.net">andrew@aehunter.net</a>> wrote:<br>
> Hey Ton and Sebastian,<br>
><br>
[...]<br>
<div class="im">><br>
> Thirdly, your comment regarding linear vs slog on export illustrates<br>
> that now more than ever proper colour management is essential for the<br>
> mango project. In an ideal case, it shouldn't matter wither you export<br>
> as a linear gamma encoded image or an slog encoded image. As I<br>
> understand it, S-Log just compresses the linear and overbright vales<br>
> (ie, >1) into a 0-1 range for integer formats.<br>
<br>
</div>According to the table on page 31 of the release notes for the F65<br>
Viewer app, exporting to OpenEXR is only possible with linear gamma.<br>
<div class="im"><br>
> OpenColorIO already supports the F65 via Academy IIF-ACES (Image<br>
> Interchange Framework - Academy Color Encoding Space) workflow[3].<br>
> Included in that are the academy approved transforms for the F65. This<br>
> is an opportunity for Blender to be at the forefront of supporting the<br>
> latest advances in digital cinematography. Further information on ACES<br>
> is available from here[4].<br>
<br>
</div>Further more, the F65 Viewer app alows the exporting of image data<br>
already in ACES, no longer necessiating an Input Device Transform on<br>
Blender's end. It would only require the Reference Rendering Transform<br>
and an Output Display Transform.<br>
<div class="im"><br>
><br>
> This would be however, a potentially major overhaul of how Blender<br>
> views image data internally. For one, finally defining a colour space<br>
> that we work in internally!<br>
<br>
</div>It was brought to my attention that Xavier Thomas has already working<br>
such an integration. Perhaps the developers could chime in on the<br>
possibility of getting this work merged to trunk.[2]<br>
<br>
[...]<br>
<br>
Sincerely,<br>
<br>
Andrew<br>
<br>
[1] <a href="https://www.servicesplus.sel.sony.com/downloads/SoftwarePLUSReleaseNotes/Release-Notes-F65RVM100.pdf" target="_blank">https://www.servicesplus.sel.sony.com/downloads/SoftwarePLUSReleaseNotes/Release-Notes-F65RVM100.pdf</a><br>
[2] <a href="https://github.com/thmxv/blender-ocio" target="_blank">https://github.com/thmxv/blender-ocio</a><br>
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</div></div></blockquote></div><br><br clear="all"><div><br></div>-- <br>____________________<br>François Tarlier<br><a href="http://www.francois-tarlier.com">www.francois-tarlier.com</a><br><a href="http://www.linkedin.com/in/francoistarlier">www.linkedin.com/in/francoistarlier</a><br>
</div>